#derangement and finds it genuinely appealing' | Explore Tumblr posts and blogs

brandonxdylan · 4 months ago

Text

Did anyone else ever watch Saved by the Bell: The College Years? I have to admit that I kind of love it, completely unironically. I realize there are lots of people who have a genuine affinity for the original series, and I do too, to an extent, but I haven't really watched that since I was a kid, whereas I get the urge to rewatch the single season of TCY every few years or so. I'm not entirely sure what it is about it that I find so appealing - it's not like it's outrageously funny, and it is occasionally very cringey. For instance, the canned laugh track is legitimately out of control. Anyone who watched the original series would probably have expected this, but considering that this was a prime time sitcom aimed at a slightly older demographic, the (presumably non-existent) studio audience is very vocal for every little thing, and it's a bit much. Also, Zack is truly a sociopath. He was in the original show too of course, probably even more egregiously so, but the fact that this series was going for a more realistic, grounded vibe makes his deranged behaviour stand out even more (although it must also be said that this version of Zack was very much a part of my sexual awakening as a young gay kid, and so I've historically been willing to overlook a lot of that).

But having said all that, I still just find the show to be a lot of fun and actually very comforting. Some of it's nostalgia, because watching stuff like this as a kid gave me a really specific idea of what young adulthood would be like. But it's definitely more than that. There's something about how contrived the whole setup is, and how the nature of it being a sitcom just makes everything feel so predictable and safe in ways that real life never is. The set is a perfect encapsulation of what any kid in the early-mid 90s would see as the perfect dorm room. I legit love the characters, I think they were honestly very well-developed and the chemistry and acting were genuinely great. Tiffani Amber Thiessen, as usual, kills it, even with material that isn't exactly Shakespeare. And I especially love Kiersten Warren. Bob Golic as well is a lot better than I think anyone expected him to be.

Not to get too deep about Saved by the Bell: The College Years (too late), but I guess I just really feel like we fucked up by letting the sitcom become an endangered species. There is nothing like this in the television landscape of the moment, which is almost impressive given how many fucking shows there are across all networks and streaming services. There's nothing this earnestly corny, nothing this stereotypically contrived, nothing this brazenly free of substance. Shows like this weren't afraid to be rose-coloured versions of real life - offering viewers a glimpse at the way they wish life could feel, where familiar struggles were dealt with, but always neatly tied up within 22 minutes. It's not realistic, but that was never the point. Even as I watched the show at 10 years old, fantasizing about how my own college years might be like the ones depicted in this show, I knew that in reality they wouldn't be. I don't think television owes us realism, and in fact I think that a bit of grounded escapism can be a lot more fulfilling and engaging than it gets credit for, and can also offer more catharsis than expected.

It feels like the only sitcoms we get now are a lot more self-aware, and are either so heightened that they forego realism altogether, or are too realistic to be breezy fun. I thought that the recent Saved by the Bell reboot was actually pretty great, but I can't deny that I missed the format of these older series, which didn't feel the need to telegraph that they knew how silly they were. We all knew it was silly. it was like an unspoken agreement between the audience and the show itself. You just don't see that anymore.

I don't know, maybe this just makes me seem old and out of touch. But I can't help that television from before I was born (or at least from before I was old enough to be watching it) just speaks to me in ways that current stuff never seems to. And it's not just because it's old - it's because it embraces a format that speaks to me, despite having long since fallen out of favour. But I can't be the only one who finds legitimate, sincere value in these old shows outside of the nostalgia factor, right?

Anyway, this post was originally about Saved by the Bell: The College Years and I fully went off the rails. Probably because I'm a touch buzzed, so you'll have to forgive my rambling. On the plus side, if this show didn't get cancelled, we probably wouldn't have been graced with TAT on 90210, since she went on to do that show right after TCY was cancelled. When God closes a door, he opens a window. Or something.

#i need to go to bed #but before i do - fun fact:#within the first year or two of me starting this blog i toyed with the idea of doing a blitz of sbtb:tcy posts but never did #a number of those posts still sit in my drafts to this day #maybe one day they'll finally see the light of day

5 notes · View notes

atopvisenyashill · 1 year ago

Note

So I came upon your blog while looking through the asoiaf tag and explored it a bit. Would you please explain to me how are you against Targaryen incest, but find Jonsa fine? I’m genuinely curious, as I’ve just started reading the books (I’m half-way through a storm of swords) and find nothing fine about any form of incest, whether it is or not considered as such in-universe. I also find little to no Jonsa moments. Could you help me? Thank you!

okay so first of all i got sent an ask forever ago about what the appeal of jonsa is and i’ve been working on explaining basically where i see the plot going and why it’s thematically relevant and is2g i’m still actually putting it together it’s just doing that in a middle of a reread is tough bc my ideas are kinda all over the place lmao (just like this ask is about to be sorry!) (also once again, sorry if my tone comes across very weird, i swear i reread like twelve times to make sure i don’t sound too snarky and wasn't just vomitting up a thousand words of nonsense lmao!!).

BUT. Well there’s three points to this: what the characters may feel, what i feel about jonsa, and what i feel about targ incest. so first the characters:

I think it’s important to point out that first cousin marriage (and auncle/nibling marriage, esp if it’s a “half” relation) are not considered true incest in westeros and in many parts of our world. rickard and lyra, ned’s parents, are cousins. joanna and tywin lannister are first cousins. jonnel and sansa and edric and serena are uncle/nieces, and you’ll note that when alys karstark comes to jon for help, he is disgusted that her uncle is trying to steal her inheritance and not that he’s her uncle attempting to marry her. i point this out because not only is there nothing legally stopping a jonsa marriage, the characters themselves may also see it that way (as not incest). and if your next point is “well they grew up thinking they’re siblings” my answer is - yes and? One of the influences on this series is Mervyn Peake, who wrote gothic medieval stories, and both incest and pseudo-incest is very much a big part of gothic stories! A lot of the storylines in this world are dedicated to exploring incest as a force of socialization and romanticism, from Naerys pleading to live “as brother and sister” and Aegon insisting “we already are” to Alysanne’s “Alyssa is meant for Baelon” to Jaime’s “he heard none of it" in the sept. I don’t think it’s that far of a stretch to posit that two characters we have POVs for will fall in love and grapple with what that love says about them, about society, about their role in the world - and in fact, about half of Jon’s most popular ships are between him and a female relative. Sansa makes more sense to me because she’s closer to his age than Arya, has a more troubled relationship with him, is involved in the political aspects of the story just as much as he is, and isn’t likely to immediately start setting people on fire after they meet.

Now as for me, basically - i think both types of incest are the result of socialization + extreme trauma, and I fully expect that if Jonsa goes canon it will have a tragic ending. I think Jonsa takes some of the inherent misogyny of targ incest and plays around with it - Jon having significantly less societal privilege than basically every other Targaryen and what that means for Sansa as an heiress - but just because I think an exploration of that dynamic will be interesting, doesn’t mean I don’t expect it to be rife with problems.

because the problem with incest is the power dynamic ultimately, and you cannot escape that power dynamic bc people don’t exist in a vacuum. For all the Starks have some fucked up skeletons in their closet, Lyanna doesn’t show up in Ned’s bed naked and ask him to stop her betrothal to Robert, does she? This is the fundamental difference between targ incest and Jonsa or even Lannicest; Lannicest is rampant with toxicity from both of those deranged weirdos but they feel entitled to each other's bodies because of their own trauma surrounding their tumultuous childhoods (and probably some normalization of incest from their parents and proximity to Aerys/Rhaella/Rhaegar), but no one is saying "Jaime you are owed Cersei's body" or "Cersei your womb belongs to your brother and your brother alone." So I don't feel the need to sit here and go "Lannicest is toxic" like yeah? Clearly, lmao, these two feel like they are so damaged, and made so special by that damage, that they can only love one another, that's not what anyone would call healthy. I don't think it's necessary to sit here and explain that dynamic has abuse problems; it's right there in the text!

"well what about the power dynamic between jon and sansa?" YES WHAT ABOUT IT. that's the point! i'm interested in how a dynamic that is inherently abusive will play out between two people who were raised to believe some types of incest are okay but not others, who are victims of abuse and societal alienation themselves. because at the same time that i condemn targ incest, there are obviously real feelings and genuine care in these relationships and in these people, because again, people don't exist in a vacuum. daemon backs rhaenyra into this corner and then crucially does not kill any of her children because he realizes that's a step too far, she'd never forgive it, perhaps even because he grew to love them (i mean, Lucerys and Joffrey likely barely remember any other father but Daemon!). maegor is a monster who very specifically never harms rhaena's daughters! aemon is a useless pos but it seems likely he had a hand in raising naerys' son to be better than aegon because he could see the harm he and his brother were doing to naerys even if aemon was too much of a coward to actually stop that harm in any meaningful way! the difference, to me, is that jon will see that this relationship built on trauma and grief may be the only love he and sansa will ever allow themselves to feel but it is not healthy for them, and jon will leave! and sansa will realize she is not the impassive, frozen, detached symbol that the men around her want her to be, but a living, breathing person with her own wants and desires and agency, and will let him go!

Ultimately, while i think romanticizing and sexualizing the taboo is fine and even healthy, for me, there has to be some acknowledgement that you are in fact romanticizing the taboo. This is why the shitty dudes in asoiaf work for me in a way shitty dudes outside of asoiaf don’t usually - my general bitching about parts of the narrative that don’t click for me aside, there’s firm condemnation of the people engaging in these behaviors, from cersei sexually abusing lancel to sandor creeping on sansa. just because the narrative also shows us and wants us to feel empathy for sandor and cersei and why they’ve become bad people doesn’t mean what they’re doing isn’t bad. that’s what i like! i don’t want a story that holds my hand and drags me to the moral nor do i want a story that presents a god awful person who is supposed to be morally upright and not mean for us to dig deeper into them!

(this is why i like the pt but not the st of star wars, if you want an example - for all the prequels are um. flawed. lucas has an overreaching story about the effects of war, slavery, and interpersonal abuse that he’s dedicated to, and we are meant to be horrified by anakin choking padme just as surely as we’re meant to mourn their relationship and love for each other when palpatine gleefully tells anakin she’s dead and ani destroys the room in grief. vs like. what were the sequels even fucking doing man).

So the thing here is that I actually do in fact find Targaryen incest interesting while being morally repugnant as a practice, and I'm positive Jonsa will play around with both the morality of incest and the romanticism of it in a way that I find just as interesting, varied, romantic, and fulfilling as like, the Jaime/Cersei(/Brienne/Tyrion) mess or the Daemon/Rhaenyra/Laena/Harwin debacle! I like incest and I also hate it! I contain multitudes!

#asks #anti targaryen #jonsa #stone and snow remains #AND CAVEAT. I LOVE AND RESPECT MY JONSA MOOTS WHO BELIEVE IN HAPPY JONSA. i am not about to play these fandom games #of 'well i'm not like those bad jonsas who only care about their ship' absolutely not. i think happy jonsa atp doesn't make narrative sense #TO ME. but i GET the people who see the path. i'm not about to posit myself as the 'rational jonsa' bc that's stupid.#(not saying anon is doing that but i am saying i see that happen a lot and i think it's annoying!!)#this is just a rant. i am so sorry. i cannot figure out how to cut it down.

11 notes · View notes

yvtro · 2 years ago

Note

imo the more interesting tim&jason dynamic /is/ the "they're only like 2 years apart" one (esp wrt "jason was tim's robin"? seems (to me) to have more potential if it's like "this kid who is my age is doing cool shit, I want to do cool shit like them, because they're my age and that hits close to home") personally am genuinely unsure why "tim is a poor little meow meow" seems to be more popular despite how it fucks both their characterizations lol

i will answer to both of you here, as it's related to the same post!

just in case i want to say that there's plenty of aspects of tim's storyline that have lots of potential. and there certainly could be an interesting one involving jason too. alas.

i think in general fanon tim is just a poor little meow meow. it's really ironic how when he was introduced, the writers wanted to make him more "likable" than jay, and they didn't want batman to play a full-time dad, so in place of jay's insecurity and need for parental love tim gets two living parents and is, for the most part, self-assured. there's some canon progression which disturbs this status quo of course, but it's fanon that turned his storyline into one about neglect.

so apparently all writers should have done to make the new robin a fan favourite was keeping jason's struggles and just making tim wealthy. real "what's cool when you're rich but trash when you're poor?" moment. having attachment issues, apparently.

and don't get me wrong, there is place for meta about tim's parents being neglectful, even if the creators originally wanted to achieve the opposite. but i find the extent to which fanon pushes this idea and makes it his sole source of personality a bit astonishing, especially that canon tim, for the most part, doesn't share any of these issues. and personally, his initial motivations that stem from his fascination with vigilantism seem much more appealing to me.

as you said: "this kid who is my age is doing cool shit, I want to do cool shit like them, because they're my age and that hits close to home." maybe it's a bit simplified, but tim being just a child who gets himself into something much bigger than himself without really realising the consequences – and essentially both traumatising himself as a result (while also finding family, one does not exclude another) is a pretty fascinating concept.

and like. canon tim is plenty weird about jason, okay. so i think their confrontation at some point would be interesting. and probably awkward.

btw we don't actually get to see jason and tim's first interactions after jay's resurrection. i said it before, but for christ's sake, the teen titans tower incident is no longer canon, and for a good reason, especially that in that era jason is portrayed as having a psychotic break and tim hates his guts and calls him deranged?

how do you derive an enemy to caretaker trope from this is beyond me tbh. it sounds good in theory, right, because it refers to jay's inherent kindness, but you do have to make them "enemies" in the first place, or at least jason the aggressor – which you need to follow the ableist storyline for (i really doubt jason would actually care about tim much if he was more stable, and he definitely wouldn't want to hurt him), and all i can ask is: why. find something new.

i don't know, if there's any actually interesting tim & jason fanfics that don't follow these cliches you should let me know, because the majority of the tag definitely isn't for me.

#answered #okay i will tag it as #anti tim drake #just in case #jason todd #dc comics

81 notes · View notes

batsplat · 4 months ago

Note

a silly one: top 5 or 10 naruto ships or dynamics whatever you prefer

ooh excellent ask. it's actually quite tough to make a selection! I do enjoy a lot of canon dynamics that I wouldn't like... necessarily seek out in fandom, but then the stuff I interact with in fandom, what I read fic for and so on, is SO broad and so eclectic that it becomes a struggle to narrow it down. I think I've skewed more towards canon dynamics/relationships I enjoy... there's no fandom I read as broadly for as naruto, including a lot of gen fic - and a lot of it is very team-based stuff, which I'm mostly going to leave out. also, proper niche things that exist only in my head like 'the rin/konan manifesto'. anyway. here goes

10. gaara x naruto: gaara was a top three character of mine when I was a kid (along with temari and itachi). he's very appealing to the edgelord seven year old and I did have his sand gourd as a bag, plus his arc was one of my favourite bits of the manga. his powers are cool as shit, that bit in the forest where he brutally murders the other team and temari goes 'bye bye' is excellent - and then of course there's his main character beat: how naruto can relate to him due to the monster trapped inside. naruto is very big on establishing parallels between its main characters and the various villains, which is all very shounen-y and kinda cliche but, well, it's fun. gaara is still the best execution of that trope, partly because he comes early enough that the central theme of 'isn't it lucky that naruto had friends!!!!' hasn't been done to death. the visual of naruto gradually being surrounded by loved ones while gaara stays alone does work... gaara was just a good character, genuinely creepy and functioning as this primal, unthinking evil, that is gradually revealed to be tragic and alone. the execution of the arc isn't perfect and naruto's power of love bit is already pushing it here, but the whole thing is more or less dramatically satisfying. now, as is so often the case, the whole thing does fall apart after this... gaara just becomes a complete non-entity where we have to assume he does all his character development off-screen, but when he comes back he's basically completely reformed and non-bloodthirsty. now, the problem with having a character whose only character trait is being bloodthirsty, you kinda need to be careful when you're taking away their one thing. don't accidentally make them boring! (it also doesn't canonically really fly to me - gaara isn't insane when we meet him because he has an attitude problem, he's insane because he literally cannot fall asleep and has a deranged monster whispering into his thoughts 24/7. like the attitude shift is a good start, but surely it'll take a bit more work than that.) the inclusion of this relationship on this list really is just about that initial arc and the promise therein, how well they bounced off each other to start with... (you'll find this is a bit of a running theme on this list actually.) I don't really ship them, don't really ship gaara with anyone except maybe rock lee and as far as I'm concerned it's naruto/sasuke 4 lyfe, but y'know. they're good foils. wish gaara had been struggling a little more with the 'not murdering people' thing when they next met. they could've been friends but in an interesting way idk

9. shikamaru/temari: to some extent I do feel like I've aged out of enjoying this relationship in its canon form. I loved it as a kid, in large part because temari was the one token strong woman and it actually felt like this relationship was being conducted on like... even footing. growing up, I have gone off shikamaru in the sense that... well, idk, I think he can be written well and there's plenty of good elements to the character, it's just that he is also a specific flavour of wish fulfilment that threatens to appeal to some of the most annoying types of guy imaginable. it doesn't help that temari slips into irrelevance from shippuden onwards and eventually really is just shikamaru's wife, which. awful! still, they did have strong banter. there's a world in which shikamaru is actually forced to grow up and mature a little more, rather than being treated by the narrative as the super smart moral authority badass cool guy who is right all the time. what I really want from this dynamic is the politics of it all... when we're introduced to these characters, we have these two strategists who are already embroiled in sensitive political situations. while shikamaru mostly still gets to be a kid and is only loosely aware of his father's work, temari is playing a central role in attempting a coup of another village. shikamaru's father is jounin commander and clan leader of one of konoha's more influential clans, roles he is expected to inherit - but he balks at the responsibility and kind of wants everyone to leave him alone. temari's father is the kazekage, her brother is the jinchuriki who she's terrified will murder her every time he loses his temper... she's outwardly far more accepting of her duties, but you can't imagine that's an easy situation, right. there's a lot about their lives that feel very prescribed, from the supportive role they play to the jinchuriki to the lineage-based teams they were assigned to. idk, I feel like the basic potential of a romance between the pair of them is that it gives them the opportunity to... go against all that, to actually make their own choice for once because they've fallen in love with a smart arsehole. I'm also kinda interested in the logistics of inter-village romance, because you have to assume that's not been a common thing but it's barely commented on once it starts cropping up within naruto's generation. especially when it's two figures of shikamaru and temari's stature! I just want a bunch of fun political dramas between these two that aren't painfully heteronormative and lets temari level a forest or two, is that too much to ask for

8. sasori/deidara: look, I could have included any number of akatsuki combinations here. I think they're all fantastic, I enjoy them in canon, I have read a lot of fic for them. I think I read more itachi/deidara fic than sasori/deidara, but that's also just kinda dependent on where the fandom has gone with these characters. this is the gold standard akatsuki teammate pairing: memorable, charming, bonkers. like, they're artists, but they have this fundamental philosophical divide because one is in love with things being temporary and the other with things being eternal... which is expressed by having one blow everything up and the other making himself into a puppet to live forever... that's cinema right there. this dynamic immediately bangs in canon because they just have such easy antagonistic chemistry. they really are both the type of guy who would drive you absolutely insane with their stupid fucking art debates. they're just such vivid characters with such distinctive voices and worldviews... you kinda want to play around with them, right, like they're just fun!! I love them!! obviously also great for au's, like they are annoying grad students they just are... idk I luv them, both platonically and as a ship. how do they work out romantically.... well, probably they don't, unless in a heavily au scenario. they're also kinda on the opposite ends of the... idk what to call it, libido spectrum shall we say, where deidara has got this whole tongue situation and sasori is frozen in this arrested, sterile youth. you kinda need to get weird and freaky with these characters, right, and try to figure out how they would navigate their respective situations. but see, isn't that something that just gets the imagination going! one's a small waif puppet lurking inside a big hulking puppet, the other's got tongues in his hands, doesn't that just stimulate the creative mind. if sasori fell in love with deidara, he would want to make him into a puppet... limitless potential

7. sasuke x itachi: now, listen, this one's a bit of a mess. both of their characterisations become increasingly messy as the series goes on, which given how much of their characters are about each other becomes a kind of downward spiral into incoherency. I'm still not entirely sure what the series' moral stance on itachi's actions is supposed to be - which, look, I'm not saying you need to have a moral stance on everything, but you should try to have SOME kind of coherent framing of the whole ordeal that goes beyond 'wow, that sure sucked for everyone involved'. all this means you can kinda go one of two ways with this dynamic: either you ignore the shippuden twist, or you don't ignore it and let itachi have his 'reasonable motivations' for the uchiha massacre. I do tend to accept this twist... it does give a good explanation for why itachi left sasuke alive beyond 'he wanted to steal his eyes'. my stance on the whole thing is that itachi's heart might generally be in the right place, but he made a truly awful choice and the narrative will never be able to convince me otherwise. if you go from there, you do have a very compelling set-up for that sibling relationship. sasuke is the only person in the world who itachi loves unconditionally; he's protective of his baby brother in a way he simply will never be of anyone else. whereas sasuke has always been defined by itachi, first existing entirely in his shadow and then dedicating his entire life to killing him... itachi is devoted to sasuke and sasuke cannot escape itachi. that's good stuff! classic older sibling/younger sibling dynamic... it's just a dynamic that's so foundational to both of them that even in fics that aren't about that relationship specifically, it's basically unavoidably THERE. the canon is a mess, but the emotional truths that underlie it work

6. minato/kushina: from a storytelling standpoint, I hate naruto being minato's son. naruto's parentage reveal kills his underdog credentials dead in the water and it's very... well he was always gonna be an ultra special boy, wasn't he. like it does kinda destroy the character. unfortunately, I can't ignore his parentage because I do simply love them. yes, this is another relationship that suffers from that thing where all the writing of women is kinda awful. I don't mind their meet cute being kushina's damsel in distress moment when she's being kidnapped - but given how little screen time they have, kushina's badass status ends up being very much an informed trait. let's just take it as read that every woman in this series is done dirty. in any case, the appeal of minato is that he is fundamentally a wife guy. he is kushina's number one fan and wants to live his life being kushina's number one fan. he's also not from a super powerful clan, which I really like; he ends up embodying the democratic ideal that naruto was supposed to. he's also really big on the whole 'gentle smile, kills so so many people' thing, which is always fun imo. kushina gets introduced as this feral naruto-esque girl - and with that sort of thing there's always a massive danger of the girl being like... feminised beyond recognition and concurrently being reduced to housewife status. now there is a little bit of that with kushina, but in my head there really doesn't have to be. in a way, they're really too bland and boring for me to love them as much as I do... they're sweet, though, and I adore team minato. plus, I'm always a sucker for a tragic heterosexual arc

5. hashirama/madara: these two were in love with each other. obviously they were. there's three separate ships on this list that basically function as 'tragic backstories'; this series has a lot of strong tragic backstories. perhaps that's partly because those stories are already for the most part 'finished' by the time they are narrated to the audience, which means we're generally spared any of what this series considers character development. I'm pretty sure I've already posted on this blog before about my dislike for the entire uchiha curse situation and there's definitely quite a lot of annoying things about madara's character too, but luckily most of them don't impact the backstory too much. I love how sweet and innocent they are when they meet, how they're just immediately enamoured with each other, how fate and circumstance conspires to turn them against each other, how they eventually flip the script and irrevocably change the world with their idealism... I just love the kind of rivalry that produces a pair of giant gay ass statues guarding a waterfall. now, as stated above, I don't like the idea that madara ends up fucking it because there's something cursed about his blood. this kind of determinism manages to be both boring and kinda troubling if you think about the implications for more than two seconds. it also sets up naruto and sasuke breaking the cycle, without any indication of why those two specifically manage to break it - sasuke is fundamentally not in a place where he would be closer to breaking it than mr teenage political revolutionary madara. sasuke was accidentally radicalised, my man madara was already there from day one! this story works the best imo if you've got two fundamentally well-intentioned idealistic blokes who have also been traumatised by war and have never entirely been able to let go of the war in their minds... just gradually letting the peace they built slip away. fewer bloodline curses, more generational trauma. I understand bloodline curses can be metaphors for generational trauma, but it's really not here. it just doesn't work. I don't really read a lot for this ship because it's one of those where I have a very specific idea of how I think this dynamic works and the fic out there I've read doesn't quite meet me where I am. but I do love the backstory, do love the dynamic, do love the vibes. plus, cool power match-up

4. sand siblings: my kids!! they show up to konoha, they bully a bunch of the homegrown brats, then they start murdering children in the forest. love a good sibling dynamic and this one has such a fun and unique flavour... beleaguered eldest child temari, snarky and mean and confident but also way out of her league, annoying middle child kankuro who plays at being cocky while also having to reckon with his fundamental lack of power, and lonely youngest child gaara, who initially barely seems to see the other two as siblings at all. obviously, the real meat of this dynamic is that temari and kankuro are absolutely terrified of gaara, who despite his age functions as the de facto leader of their team. it feels quite rare in-universe to have teams that consist of siblings, with a bit of separation between the hierarchical military command structure and actual blood family that actually feels like quite a good idea. suna clearly don't believe in that shit and instead have decided to force these three into what just feels like a horrendous situation for everyone... it's essentially an extension of their childhood household - where temari and kankuro were taught to treat gaara with mistrust and contempt before eventually learning to fear him, while gaara is given little reason to expect any kind of familial affection from his older brother and sister. good and gritty abusive family dynamic... obviously none of these three kids are really to blame with how fucked up that relationship has become, but also all three have understandable reasons to be wary. their early canon dynamic is so interesting, where they're like... kinda comfortable around each other, are mostly quite distanced and professional when interacting amongst themselves and let more of their personalities show to outsiders than each other... kankuro and temari forming a little bit of a united front in containing gaara, but mostly they're just united in their fear of their baby brother... it's compelling! I am compelled! now, I've already given the sparknotes of my issues with gaara and temari's later development and the same broadly holds true of kankuro, plus their relationship in general. they just basically all seem quite fine with each other after naruto's done his talk no jutsu thing. the whole 'gaara becoming kazekage' thing was always a bit weird to me... even in the military dictatorship universe, gaara does not have the prerequisites for that to be a good idea in the slightest. if anything, it does kinda feel like temari should have gotten that job - and I'm not too fussed with her getting it, I actually like her mirroring shikamaru in taking more of a supportive role that allows her to have a little more freedom, but maybe kankuro...? idk, I know it's supposed to be meaningful and emotional because, oh, look at how they've accepted the jinchuriki, but this is the bit of the magic ninja manga that just completely breaks my suspension of disbelief. just ends up falling kinda flat to me. it also ended up unnecessarily preempting naruto's whole thing? weird weird choice, still don't like it, basically I like nothing about the sand siblings writing from shippuden onwards. do love them, though! long live dysfunctional siblings

3. naruto/sasuke: the thing about this pairing is that, look, they are basically canon. naruto is extremely down bad for sasuke and in turn he seems to be the only person sasuke still somewhat gives a shit about. that man certainly doesn't give a shit about sakura... I have read and enjoyed ot3 fic for team 7, I don't inherently think sakura/sasuke is an awful ship or anything, but the way canon does it is just. well. no. anyhow, it's kind of hard to give a concise summary on my take for this pairing in a way I've been doing for the other items of this list, because doing so would basically amount to 'summarise the plot of naruto'. it's the central dynamic of the entire series... their conflict, the different paths they end up taking, whether they can find their way back to each other or not. I've already complained about the actual execution of this arc before, but man are they conceptually compelling. it's sasuke throwing himself in front of haku's needles to save naruto, it's naruto throwing himself in front of a massive snake to save sasuke, it's them taunting and challenging each other throughout those early arcs... the rooftop fight as a furious, terrified sasuke tries to understand how he could have allowed naruto to catch him... the valley of the end, when naruto reaches out and points out all the similarities between them - and sasuke rebuffs him, telling naruto he understands nothing of loss... again, the whack morality of this series does limit the effectiveness of the storytelling because, not to get all edgelord 'sasuke was right' here, but low key... sasuke was right much of the time. he also never actually sunk low enough... the series' stance is that his dedication to his quest of vengeance was basically fine, but the issue was that he didn't go about it with the power of friendship. which, sure, but... idk man. the series kinda lost me when it tried to portray the uchiha massacre as some sort of noble deed. it really lost me with all the curse of hatred stuff. the series never sold me on why these two specifically manage to break the cycle, which is kinda impressive given how much naruto goes on about sasuke over the course of the series. but mooning over an uchiha boy is not enough! this list features multiple instances of a character mooning over an uchiha boy. where I'm at with this pairing is that I passively enjoy it when I'm actually engaging with the source material, don't necessarily seek out fic for them even though obviously it's just... there in a lot of stuff, but do very much conceptually enjoy them. I think it's cool that naruto's gay love changed the ninja world. that's very valid of him

2. kakashi/obito: the impact that finding out kakashi's backstory had on eight year old me needs to be studied. it was one of my absolute absolute favourite bits of the manga to read, just like half a volume that tells this little tragedy of team minato where you have so much of the story still missing but it's sad and horrible because it's kakashi!!! the immediate intrigue of having this naruto-esque uchiha who wasn't in the usual mould of prodigy, but instead only tapped into his potential at the moment of his tragic death. the way he changed kakashi's entire outlook on life!! he saved kakashi multiple times over in his moment of 'death'... idk it just tells you so much about kakashi so quickly and it does all feel like a logical explanation for why the character is Like That, so congrats there. and then, the reveal - well, I was always going to be up for that. tobi is just an inherently funny character, just continuously makes you go 'what is your deal' and 'why are you like this'. he's so whack that he really lends himself to just like... being kinda obsessed with kakashi, stalking him around and all that. really solidifies how basically the only bits of shippuden worth engaging with are the super akatsuki-focused ones. and then the reveal!! the tragedy of it all!! look, I'm always going to raise an eyebrow on a ship that relies on the death of a woman for the emotional whump, and I change my mind a lot about how to tackle the rin problem (I do love her, but mainly just the version of her that exists in my head - canon does not give us A Lot) (and in general I am very up for team minato content). all that being said.... I'm gonna be real, I love that backstory too. I don't think it's executed all that well, obito's emotional arc is a bit of a mess, but the twelve year old boy in my heart finds the scene where obito comes across rin being killed by kakashi and murders everyone there minus kakashi so extremely sick. and the fight between kakashi and obito is clearly the best thing that happens in that entire endless bloody ninja war. doubles down on the pathos with the sad music and all that shit, and it actually kinda works for me. I think kakashi should get to redeem his childhood rival turned deranged enemy and live happily ever after with him, as a treat

1. sakura/ino: in many ways not really the type of dynamic I usually go for, given the animosity between them is... y'know, not that serious and also a bit of a non-issue post time skip. like with many things in this world, I have this version of the story that exists in my head where their rivalry remains like... a major part of the story throughout. anyway they mean the world to me... this imbalance between them, ino with the clan heritage and the popular cool girl vibes protecting the shy little common brat with the big forehead... I like that they had a stupid argument over a boy and made it into this insane competition about who will be the best ninja. I like their chunin exam fight!! in-universe it's kinda mid-on-mid girl-on-girl, but in the version of this series that exists in my head and allows the women to actually be equally powerful to the blokes... idk isn't there something insanely romantic about them matching each other perfectly, about their mental tussle, how sakura overcomes the combat advantage ino holds due to her upper class status through sakura's sheer force of will/derangement... basically I think they should get to challenge each other and maybe also attempt to kill each other? my ideal sakura arc is one that really leans into her normie status and gives her some girl power wish fulfilment in spite of it. you can have her fully rebel against the status quo and have her sympathise with sasuke, you can have her go the tobirama-esque hardliner route, the prejudiced genius who will do anything to defend her village and reform it in line with her standards, or you can have her go the more academic route where she does a bunch of weird medical experiments idk. (the three genders: madara, tobirama, or orochimaru.) or, well, that's how EYE saw her development going - I just think there's space for something a lot more substantive than 'what if tsunade, but without all the genetic advantages and political power'. idk! with ino, my god... she's already linked to the interrogation department... they made her the obligatory girl medic when she should be working with the torture people... to me conceptually ino should always end up working in opposition to sakura whatever route you want to send her down. and you need to include as much mind fuckery as possible, because it's fundamentally fun and valid to have a ship where your two characters can do deranged things to each other in their brains. anyway, look, obviously all of this is straying pretty far away from the canon dynamic. sakura has that female main character thing of not being particularly well characterised and easy to project onto, which means you can kinda do whatever with her - and obviously I have now kinda been doing whatever with her for many years. I do think they're neat. I stand by them being neat

#got this ask when i had a fever and it has stayed with me #in the days transitioning from having a fever to merely wasting away as i wait for death to claim me. a full week yayyyy #//#batsplat responds #still have a bunch of sakura/ino fic in various docs... i should go back to that stuff #naruto is an insanely fun sandbox it has to be said... even just writing this has made me want to play with the characters again lol

2 notes · View notes

rancidslime · 9 months ago

Text

reading frieren for a bit and it's fucking insane how allergic this author is to drawing anyone emoting 99% of the time. I don't know if they think it looks ugly or if they find flat affects hot or what, but it's deranged how little any of these characters emote. it makes it extremely hard to feel invested in anything that's going on, because none of them look like they're at all emotionally invested in the outcome

frieren herself is one thing - part of the whole point of the story is the emotional distance between her and the world, but Fern, a teenager, doesn't even emote when she's been pinned to the wall by a spear through her fucking shoulder

i genuinely do not understand the appeal of this manga. like, i tried, i really did, but i'm just struck every time by the fact that like, the central draw, exploring lifespan differences in fantasy races for drama, was literally done better as an afterthought by dungeon meshi. much is made of the wonder of magic and its capacity to make peoples' lives better but the average person just lives in a generic european fantasy town with magic largely inaccessible to them, apparently because thinking more about what kinds of magic a farmer might do would make the world deviate too much from the dragon quest generic baseline that the story wants to have something to say about. None of the loving attention to a world of magic you see in Witch Hat, another vastly more competent piece of fantasy. I mean, if we're just talking about playing with the Dragon Quest framework, Yuusha Goikkou no Kaerimichi did a better job at providing a fresh take on the aftermath of this kind of story in a literal oneshot.

Look I know it's unfair to compare a piece to other pieces like this, but Frieren itself just seems totally fucking unwilling to form an identity for itself. I mean, it keeps insisting on just gesturing loosely toward these broad Japanese "European Fantasy" tropes and going "you know, like that" whenever it thinks it can get away with it. It makes the entire world feel incredibly small, empty, and uninteresting. I guess its take on demons is... something? Except that this idea that demons are superpredators evolved to prey on humans is completely undone by the fact that humans rock their shit regularly and certain events in the manga imply that demons don't need to eat, and certainly don't seem to need human flesh. I don't think I've ever seen a series capture Tumblr's imagination like this while also being just... such a featureless blancmange. Usually the stuff that catches on here... well, it's certainly not always good, but it's usually memorable. Frieren isn't even that. I struggle to have an emotional response to any of these characters.

#posting #critical

4 notes · View notes

bisluthq · 9 months ago

Note

it's also funny because maylor (? or is it tatty?) threw a wrench into haylors crack theories bc a lot of them very legitimately think that taylor and harry were dealing with each other well up to just before calvin and so they thought the matty rumor at the time was either total BS or just a one time hookup thing and so now that it's confirmed it was more than that they now think that she purposely messed around with matty at the time to 'get back' at harry bc harry was a crazy 1975 fan back then. which makes me want to ask them like, why do you want to taylor to be that deranged and toxically obsessed with a teenage boy lol

People love to say she gets with Matty to “piss X off” but like I think she just really likes Matty? Not saying that as a Maylor, which I’m not, saying that as a Tatty truther who lives in reality. She might be pissed off with him now but I genuinely wouldn’t be shocked at a Tatty 3.0 scenario at some point because she digs that guy.

Haylor was weird lol and obviously they hooked up a few times after calling it off and I’m not saying there were no feelings (on both sides I think there were) but also like I really don’t think it was some grand love story and that’s okay because not everything is? I just find it surprising when people want it to be because aside from the fact that they’re both famous musicians, I really don’t get the appeal of them together. They don’t look especially good together, they have drastically different vibes/interests, they have quite different value systems like idk what the appeal is lol and again I say that as a fan of both artists but also someone who lives in reality.

Ps question is explicitly about someone very confusing and I’m not sure Harry is that confusing?? I think he was when they dated because 18 year olds are generally very CONFUSED so they ergo act confusing but overall he seems pretty much like he knows what he wants tbh whereas Matty definitely doesn’t.

0 notes

citizendetective · 2 years ago

Note

hi! re your lottienat questions: so the first level of the ship i personally find appealing is ofc the dynamic between a cult leader and a nonbeliever, esp when the show so prominently presents them as foils. the second level to it for me is the friends to enemies to lovers aspect of it if they did ever get together; it's just so fascinating to go from being genuine friends like lottie and nat seemingly were in the pilot (from the little interaction we get) to fucking despising the other/what they stand for but still having this knowledge of the other and even this care for each other at least on lottie's end, and even if they don't reach lovers status, the way lottie 25 years later after losing contact with natalie still cares about her so much in this DERANGED way that rivals misty and natalie has no qualms trading blows with her like they're 17/18 again makes me feel insane. then there's the "you never talk shit about someone unless they really deserve it" line in contrast with lottie, 25 years later, talking shit to/about natalie like it's nothing, but it being so underlined with love, which makes me need to know what nat did to become someone who deserves it because i think this show is so intentional about it's dialogue and characterization, and i can't imagine it's just a throwaway thing of lottie simply being meaner as an adult. so yeah basically i just think there's crazy tension and potential there, even if we've yet to truly explore it

i am very late to answer this but thank you anon, i really appreciate this answer and the detail!! i didn't see it before but i totally do. especially after this last episode -- like wowee ok

really their dichotomy in both timelines is really stark -- especially with how spiritual shit is getting in the wilderness. nat wants nothing to do with it and at this point i feel like she'll be lottie's very last follower, if ever (but not sure how she survives if she doesn't fall into line eventually?)

anyway i am very glad to understand more about this ship now and i am ON BOARD

#anon #yellowjackets

1 note · View note

makeste · 4 years ago

Text

BnHA Chapter 318: On Your Left

Previously on BnHA: The Hawksquad+Lurkers were all “well this sucks” and sat around a bit talking about how maybe they should actually come up with a new plan that is actually good, but then in the end they were like “nah.” Deku was all, “THERE’S SOMETHING INSIDE ME THAT PULLS BENEATH THE SURFACE!! CONSUMING, CONFUSING!! THIS LACK OF SELF CONTROL I FEAR IS NEVERENDING. IT’S HAUNTING HOW I CANT SEEM TO FIND MYSELF AGAIN. MY WALLS ARE CLOSING IN.” Just, literally that whole entire song. All Might was all “Deku you should take care of yourself, try eating a thing,” and Deku was all “BYE, ALL MIGHT,” and just LEFT. He left!!! What the fuck!!!

Today on BnHA: Endeavor is all, “maybe if Deku didn’t listen to All Might he’ll listen to me instead.” Deku is all, “[doesn’t listen to Endeavor]” because, well, yeah. The Vestiges are all, “surprisingly, even we are a little concerned -- maybe you should get some rest, kid.” Deku is all, “((Ò ‸ Ó)).” The Vestiges are all, “holy shit.” Deku is all, “[wanders the ruined city streets terrifying the populace on account of him looking like Shelob had a baby with one of the Nazgul].” Some shriveled-up puppeteer villain asshole is all, “HORIKOSHI SAID IT’S MY TURN TO ATTACK DEKU TODAY SO I AM GOING TO SUMMON MY FRIGHTENED HELPLESS ATTACK MOB!!” Kacchan is all “WHADDYA MEAN THEY FOUND THE NERD!!! -- oh wait, that’s me, I found him. I found the nerd, you guys.” And just in time, too. I was about to owe a whole lot of people a whole lot of dollars.

so I have been super good about spoilers this week as always, but let me tell you guys, for the past 36 hours my dash filters have basically been nonstop “manga spoilers” this and “bnha 318” that, and so I’m coming in with a fair amount of hype here. your move, Horikoshi

oh, good! they got Endeavor to call Deku to try to talk him out of it. what a great and wonderful plan

“listen up kid, you haven’t slept since March and you are basically a walking biohazard right now, I’m just telling it like it is. didn’t you get shot like three times?? and there was a whole thing about how you urgently needed medical attention?? and supposedly we gave it to you, but I mean you haven’t even changed your clothes and don’t seem to have any fresh bandages or anything, so did we?? did we, really?? and also we all got blown up yesterday, so yeah.” hmm he’s making some reasonable points here you guys, but you sure do go on and on, Endeavor

oh he says foreign aid is finally on its way! I’m sure they’ll be very helpful. I mean in fairness they can hardly be worse than the home-grown heroes at this point

hey Enji, could you maybe try appealing to Deku the sixteen-year-old human boy, as opposed to Deku The World’s Last Hope? he does have value beyond his quirk. I know that’s always been an incredibly difficult concept for you to grasp, but could you maybe TRY, jesus

and also we’re worried about you as a person?? you’re just a kid and you’re pushing yourself way too hard?? you were going to say that part next, right. why the hell didn’t Hawks make this call instead

“don’t worry about me... I’m completely fine” Deku you do understand that saying it over and over again doesn’t actually make it true

and again with the rush!! all the rush rush rush!! we’re running out of time, we can’t let AFO and Tomura keep getting stronger, I have to end this now, there’s no time to rest, etc. etc. etc. just the constant pressure of this whole big countdown on top of everything else

holy shit, you KNOW it’s bad when even the Vestiges are telling him to chill

these guys are basically the walking talking embodiments of self-sacrifice; if even they’re telling him he needs to take five, then he must seriously be like half a step away from death’s door

OH SHIT LMAO

DIDN’T EVEN LET HIM FINISH HIS SENTENCE BEFORE HE SENT HIM INTO THE FUCKING SHADOW REALM WITH THAT FUCKING LOOK. HOLY FUCK. DIDN’T EVEN KNOW IT WAS POSSIBLE TO DIE TWICE. SHIT

(ETA: so I’m pretty sure this was just Danger Sense activating and so he cut them off to go do more hero stuff, but I’m gonna go ahead and stick to my original interpretation anyway lol.)

anyway so how’s everybody doing. we all good? En, you good? Banjou? Shino? I’m imagining you guys all curled up in a little ball on the floor right now lol. can’t say I blame you though, no shame

lmaoooooooooooo

“SHEESH.” sheesh indeed, lmao. “what in the FUCK was that”

see, this is why y’all need Kacchan. you need someone who’s not going to back down from him no matter what. if it’s a matter of out-stubborning Midoriya fucking Izuku, then there’s only one other person on the planet capable of that, and we all know it. don’t pretend like you don’t. I am not going to shut up about this! we’ve had our hurt so now what about SOME COMFORT, DAMMIT

“I’m afraid that he’s becoming influenced by my conscience” nah are you kidding Nana this is all 100% made-in-Japan pure original Deku right here

see, Banjou gets it. “that kid, he’s totally going on his own.” exactly. this was so inevitable it was basically scientific law

“well I for one don’t see the problem with Deku being so obsessed with saving everyone else that he pushes himself until his body and soul literally fall apart” okay, whose speech bubbles are these?? we’re about to have words

lol of course

well you always did prefer the direct route didn’t you. but even you can’t possibly think this is okay lol

dark AU!Kacchan please tell us more about your badass doomed timeline in which everything went to shit and you apparently had the same character arc that Deku is having right now except it somehow made you sexier instead of turning you into a rabid t-rex. I have so many questions

oh so now you want to help??? well -- good, actually. sorry if that sounded offended just now lol

(ETA: so at first when I got to the end of this chapter I was wondering if Katsuki B. had somehow summoned his alternate-universe counterpart through trippy OFA space telepathy lol. but in the original Japanese there’s no reference to “we”, so this appears to be a mistranslation. this line should probably read more like “if there’s something/someone out there that would be able to complement/complete the current Midoriya Izuku [it would be]…” which, oh hello, is that Horikoshi once again reaffirming that Deku and Bakugou complete each other lol. “guess what guys, the Vestiges ship it too" heck yeah. they know what’s up!)

look how admiring his boyfriends are. HORIKOSHI GIVE US THE REST OF THIS BACKSTORY ALREADY GODDAMMIT

“meanwhile somewhere in the depths of the ruined city, Deku was having a dance-off with the villains”

I like how the villains all have this “AHH WHAT THE FUCK” kind of body language to them lol. I mean if it were me, and an eldritch horror suddenly clawed its way from the shadows with its writhing glowy tentacles and pants-shitting nuclear death stare, I would probably just die on the spot. no need to stick around. only pain awaits

lol for a minute I thought this was Can’t Ya See-kun and I was like “WHAT A FASCINATING CROSSING OF PATHS” but it’s just some random girl

he seems genuinely confused lol

Deku it’s because you look like something that crawled out of a sewer drain, sweetheart

lol they just took his word for it?

so trusting. even though they’re immediately hauling ass anyway just to be safe lmao

“my appearance is frightening to others” no shit Deku it’s because you look like a fucking alien exorcism. you look like a Lich that got caught up in an oil spill my dude

NO NOT THE CHOSEN ONE ANGST AGAIN

I RAN OUT OF ESSAY JUICE FOR THIS ALREADY HORIKOSHI!! I’VE BEEN TALKING ABOUT IT FOR MONTHS NOW WHAT TOOK YOU SO LONG!! BUT ANYWAYS, GOOD!! I MEAN, BAD, THOUGH, OBVIOUSLY. BUT YES

“ENJOY THIS MONTAGE OF DEKU BATTLING A RANDOM KAIJU AND WANDERING THE WOODS LIKE A DERANGED GREEN BABA YAGA” okay yes but sir, exactly how much longer is this going to go on. if it’s a matter of you wanting to make sure we get it, let me assure you that aside from a few stray chuunis who think that Deku embracing the Darkness is the coolest thing he’s ever done, all of us here in fandom fully comprehend that this is Not Good

-- OH SO IT’S LIKE THAT

really. with the flashbacks to his loved ones’ smiling faces and everything. not even gonna try to aim above the belt, huh

AND NO KACCHAN??! NO CLASSMATES?!?! IS HE PURPOSELY NOT THINKING OF THEM??? OR ARE THEY BEING SAVED FOR THE NEXT PAGE??? SO HELP ME, IF THE NEXT PART OF THIS SENTENCE IS “CAN PROTECT THEM”, OR EVEN WORSE, “CAN SEE THEIR SMILING FACES AGAIN”, I...

WHAT DID I JUST SAY

(ETA: my man did Sero and Kaminari fucking dirty lmao. I miss their smiling faces too omg.)

the sheer, unparalleled irony of him saying this while he stands there looking like the gargoyle demon from Fantasia got crossed with an umbrella that got struck by lightning. Deku :(

oi who the fuck is this clown

is he controlling this mob with his evil hair. “what if I made an exhausted, running-on-fumes Deku battle a brainwashed mob at Ground Zero.” Horikoshi do you just have like a checklist of horrible things you want to do to your protagonist

easy there Sasori

well joke’s on you buddy because he’s apparently “completely fine”, so

“here’s to hoping that you know more about AFO’s location than the others” jesus christ Deku you really have hung your mercy out to dry huh

now he’s forcing his mob of terrified prisoners to attack Deku ahhhh. sucks to be them. at least they’re not being controlled by bees

so Deku is saying that Sasori’s control can be broken with “physical trauma.” similar to Shinsou’s quirk I guess. but so does that mean he’s gonna have to hurt them? ( •﹏•)

NO NOT MORE SAD EYES

“DEATH BY EMPATHY!!!” HORIKOSHI NO

fuck. he looks like he’s on the verge of passing out

this is what happens when you nerf a character’s self-preservation stats in favor of spamming their bone-breaking stats instead. NOW ACCEPTING BRAIN CELL DONATIONS FOR A BOY IN NEED!! with your loving generosity we can hopefully help him live to the ripe old age of seventeen

OMGFGGG

YESSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSS

[grabs your hands] ლ(*꒪ヮ꒪*)ლ [swings you in a circle] へ(ﾟ◇ﾟへ)

THASSSSSSSS WHATSSSSSSS UPPPPPPPPPP

HORIKOSHI REALLY SAID FUCK THAT MASK (ノ°ο°)ノ YOU FINALLY LEARNED!! IT’S CHARACTER DEVELOPMENT!!!!

JUST FOR YOU KACCHAN, HORIKOSHI LEFT THIS ONE BAD GUY WHO’S STILL WEAK TO FIRE. GOD BLESS

IT’S YOUR COUNTERPART, KATSUKI B!!!! HOW WE DOIN OVER THERE IN THE TRIPPY COSMIC OFA SPACE REALM LOL. DO WE BELIEVE YET, FANDOM???

LIGHTS!!!!

INSTANT RESULTS!!! IT’S SUPER EFFECTIVE!!!

(ETA: imagine what this must look like to Deku though. he’s been caught up in this dark cloud of despair and exhaustion that’s been building up over... I’m gonna go ahead and say “weeks”, because yeah. and now he finds himself here, in the place where All Might’s legacy ended and the torch was passed to him. and the world is in ruins, and he’s surrounded by frightened people who are all trying to hurt him -- because who isn’t trying to hurt him, these days -- and he’s scrambling to figure this all out, but meanwhile the weariness is finally starting to catch up to him, and so he’s basically just standing there in a fog of complete and utter misery.

and then all of a sudden through that haze, he hears the one voice that’s more familiar than any other that he knows. like, I honestly wouldn’t be surprised if he thought he was just imagining it at first. Kacchan showing up to save him right when he’s at his most desperate and feeling the most alone. Kacchan, showing up to save him.

this is the person he always looked up to as a child (to be fair he was quite a strange child lmao). the person who was even closer to him than All Might. the person he always thought was amazing. and bam, here he is now. appearing in the sky out of nowhere to one-shot the bad guy with a single blast (which, btw, that was his armor-piercing attack too lmao dslkjlk take it easy there kiddo). like, that must have felt absolutely surreal to him, especially coming at a time when he’s already half-delirious and barely hanging on to reality. he must have really thought that he was losing it there for a second.

but he’s really there. it really is him. and for this brief moment -- before the rest of the situation catches up to him, and he remembers about all of the fucked-up AFO stuff, and remembers why he was so afraid and why he was pushing everyone away -- for just this one brief moment, he’s too exhausted and stunned to do anything except to just react. just stands there, looking up at him in awe.

and you know, it almost reminds me of...

just. you guys. the character development. the freaking character development. someone who brings reassurance. someone who shows up and makes you think, “oh, it’s all going to be okay now, because [person] is here.” the role reversals. the growth. the payoff!! because who is the one person who always had faith that Kacchan would one day grow up to become an amazing hero like that. WHO IS IT. YOU ALREADY KNOW.

omg. anyways, bless you Horikoshi, my feels which have been on backorder since fucking September have finally arrived lmao. yes, good, thank you. worth the wait. it is always, always worth the wait. fuck yeah.)

“LOWFRIES” SO YOU’RE TELLING ME THE WHOLE GANG IS HERE, AHHHHHHHH (º̩̩́⌣º̩̩̀ )

BEAUTIFUL. WONDERFUL. SENSATIONAL. I DON’T EVEN CARE THAT JUMP IS ON BREAK NEXT WEEK. THIS RIGHT HERE WILL SUSTAIN ME

#bnha 318 #midoriya izuku #BAKUGOU KATSUKI #!!!!#twowy mctwoface #bnha #boku no hero academia #bnha meta #bakudeku #bnha spoilers #mha spoilers #bnha manga spoilers #makeste reads bnha

393 notes · View notes

timelesslords · 4 years ago

Text

Girl’s Night

Read on AO3

In which Annabeth has a little too much wine at Girl's Night and feels very guilty about it. Thankfully, Percy doesn't mind taking her home.

Annabeth Chase was very good at holding her alcohol.

In all honesty it was mostly because she didn’t drink that much to begin with. Being drunk had never been all that appealing to her— years of being on edge for the next fight made it difficult for her to intentionally dull her senses, and she never liked how foggy it made her brain either. Living in New Rome for the past few years hadn’t completely squashed those instincts, despite its top of the line anti-monster security.

But still. Annabeth could keep it together pretty well, when she chose to indulge. She’d gone to a few wild parties earlier in college, mostly at Piper’s behest, and she didn’t mind having a few glasses of wine every once in a while.

Girl’s Night was every once in a while. Every first Friday of the month, if you wanted to be exact about it. In all honesty the practice was probably a bit dumb and middle aged for a bunch of people (and, okay, ‘a bunch of people’ was generous- it was really only Piper, Annabeth and Hazel) in their early twenties, but Annabeth didn’t care. It was hard to keep up with people these days, and Annabeth appreciated the emphasis on female camaraderie and friendship.

Plus, Piper had really stellar taste in wine.

Tonight’s had been especially good, and after a long and stupidly stressful week at school (Annabeth wished she could emulate Percy’s senioritis, but unfortunately the Architecture program only got harder as it went on, not easier) Annabeth found herself a little extra appreciative of the relaxing effects of alcohol.

It seemed like all of them had had a tough week, because they were all buzzed pretty fast. Piper was even happy to deliver the latest Hollywood gossip, courtesy of her dad, and Hazel was telling them a story about a probie getting stuck in the unicorn stables that made Annabeth laugh so hard she was practically sobbing. Piper and Hazel were not much better; Piper had completely fallen off the couch from cracking up so hard, and Hazel could barely get a word in edgewise before she completely dissolved into giggles again.

It was then that Annabeth caught a glance of the two completely empty bottles of wine in front of them, and realized that all of them— though mostly she, specifically— had made a grave mistake. She had no idea how many times her own glass had been filled and then subsequently emptied, but it was enough that she was well past tipsy and solidly in drunk territory.

It was hard to care about the bad parts of being drunk when you were currently drunk, Annabeth was finding. Everything was just so much funnier.

Apparently Jason had also sensed that they were drunk, or maybe he just had heard the deranged cackling coming from the living room, and wanted to make sure they were all still alive.

“Are you guys alright?” he asked, sticking his head through the doorway.

“I’m fantastic. I mean, I don’t know about you two, but I am—” Piper paused, letting out a small hiccup, “Feeling awesome.”

“I feel great,” Hazel agreed, barely able to stop laughing long enough to let the words out.

Annabeth wasn’t sure she remembered how to form coherent words anymore, so she just gave a thumbs up.

“You guys are really drunk,” Jason said, voice an impressive mix of concern and amusement. He walked into the room, picking up one of the empty bottles of wine they’d left on the table and examining the label.

“That’s my man. Very smart,” Piper said, apparently completely seriously, leaning against Jason’s leg.

“Pipes, you realize this wine is like, 20%, right?” Jason asked, ignoring her declaration of his intelligence.

Piper frowned. The expression seemed very exaggerated, or maybe Annabeth’s head was just messing with her. It was very funny either way, and she had to stifle a laugh.

“Shut up Annabeth. Let me see that,” Piper said, holding her hand up for the bottle. Jason very wisely did not let Piper hold the bottle herself, instead holding it at eye level in front of her. She gripped the bottom of it, pulling it towards her and squinting at the label.

“Nevermind. I can’t read anymore,” Piper said, relinquishing her grip on the bottle. That sent Hazel and Annabeth into another fit of laughter. They would probably be drunk even if the wine wasn’t that strong, but it certainly explained why Annabeth felt like she was floating right now. She hadn’t been this wasted since at least freshman year, maybe ever. Everything was a little blurry at the edges, and she was dizzy in a kind of delightful way. She let out one last giggle.

“And that means we are officially at the me-calling-your-boyfriends time of the night,” Jason said, setting the bottle back down on the table. Piper groaned.

“Party pooper,” she grumbled, though she didn’t move herself off his legs.

“Sorry babe,” he said, apologetically, “You guys are welcome to crash here, obviously. I’ll just call Frank and Percy to let them know.”

“S’fine,” Hazel said, yawning and pulling out her phone, “I’ve been texting him. I’ll just tell him now.”

“That’s against the spirit of Girls Night.” Piper said, pointing an accusing finger at Hazel, “You’re a cheater.”

“I had to tell him about your dad’s friend secretly dating his co-star! She was in his favorite movie!” Hazel protested.

Annabeth had not texted Percy tonight, in part because, as Piper had said, it was against the spirit of Girl’s Night, but also because he was probably asleep. Usually he’d stay up and wait for her to get home, even though New Rome was probably the safest city on the face of the planet, and the chances of anything happening to Annabeth on the six block walk between their respective apartments was ludicrously slim. But he’d been practically dead on his feet when she left, and had agreed pretty easily to turn in early when she suggested it.

She immediately felt bad about the prospect of waking him up. She knew she should though— he’d much rather be woken up in the middle of the night than wake up in the morning with her not there. Even though it would take about three seconds to check his phone and realize everything was fine, old habits die hard and it would unnecessarily stress him out. Especially since it was the one night he’d agreed not to stay up and wait for her.

So waking him up was inevitable. Worse, she was starting to realize that she really wanted to be home with him. As comfortable as Piper’s floor was (and given how drunk Annabeth was, it was genuinely pretty comfortable) she just really wanted to be in her own bed, preferably with Percy also in it.

“Annabeth’s gonna want to go home,” Piper predicted, drawing Annabeth out of her thoughts, “She gets boyfriend clingy when she’s drunk.”

“I do not,” Annabeth said, even though she most definitely did.

“You’re a bad liar,” Hazel said, patting Annabeth’s leg sympathetically.

“I’m an excellent liar,” Annabeth said. Under normal circumstances this would be true. Unfortunately being drunk was not normal for her.

“Uh huh.” Piper said, “Look me in the eyes and tell me you don’t want Percy to come pick you up.”

Annabeth looked into Piper’s eyes, currently a very pretty green shade. Not as pretty as the shade of green Percy’s eyes were, but nice, for eyes that were not Percy’s. What was she supposed to be doing again?

“This feels like a trick,” Annabeth said, squinting.

“She wants Percy to pick her up,” Piper said, tugging at Jason’s pant leg.

“Yeah, I got that,” Jason said. Annabeth was pretty sure he was laughing at them, but in her current state it was a little hard to tell. “Let me go get my phone.”

Piper whined as Jason walked away, leaning back against the couch.

“Can you even walk, Chase?” she asked, looking dubiously at Annabeth “He’s going to have to carry you home.”

“I can walk,” Annabeth said, very offended even though she didn’t entirely know if her statement was true. Piper snorted.

“You’re lucky Percy is strong.”

“This is all your fault, McLean. Don’t think I’ve forgotten,” Annabeth said, aiming a soft kick at Piper’s leg.

“Okay, in my defense I didn’t read the label,” Piper said, pulling her leg back just in time to avoid Annabeth’s foot.

“How is that a defense?” Hazel asked, though she was giggling.

Piper did not have time to further defend and/or implicate herself, because Jason appeared in the doorway again.

“Percy’s coming, he’ll be here in ten.”

“Was he mad?” Annabeth asked anxiously. Piper rolled her eyes.

“I don’t think Percy is physically capable of being mad at you,” she said.

“He thought it was funny, actually,” Jason said, ignoring Piper.

“Told you so,” Piper said smugly.

“Shut up,” Annabeth grumbled.

The next ten minutes passed in a very drunken blur. Now that she had fully realized she was intoxicated, the feeling only seemed to compound, each uncounted drink catching up to her with a reckless abandon. She was vaguely aware of Piper crawling back on the couch to lie down, and Hazel curling up in an armchair. Annabeth just stayed on her little patch of floor. If she got too comfortable, she wasn’t going to want to get up.

She could feel something anxious starting to prickle under the surface of all her artificially happy feelings, but it was sort of difficult to dissect when she couldn’t really think straight.

“Hey, Wise Girl,” a familiar voice said.

Annabeth looked up to see Percy smiling down at her. He looked so pretty she almost started crying. Almost. Crying as a normal human function was fine and good and emotionally necessary and all that, but crying because you were drunk and your boyfriend was hot was just embarrassing.

“I’m drunk,” she told him. Might as well get right to the point.

“Yeah, I gathered,” he said, still looking at her with entirely too much affection, “You feel okay enough to walk home?”

“Yeah. I wanna walk,” Annabeth said, accepting his hand and pulling herself to his feet. If he hadn’t been holding her she probably would have fallen over.

“You sure about that?” he asked skeptically, putting his other hand around her waist, steadying her. She leaned into him, because she always leaned into him, and yeah, okay, maybe she needed his support to walk straight, but what about it.

“Very sure,” Annabeth said. Already she was adjusting to being on her feet. Percy half looked like he wanted to protest, but making it out of the living room seemed to convince him that she was okay to at least make it a few blocks home.

Sitting down on the bench in the front hall to put her shoes on was somehow worse than walking. She managed to shove her shoes into her sneakers, but getting them tied was probably not going to happen.

“I can’t remember how shoelaces work,” Annabeth admitted, looking up at him, “Does that mean I’m screwed?”

“Well, there’s good news and there’s bad news,” Percy said, leaning down to tie her shoe for her. Annabeth shut her eyes tight, then opened them again, trying very hard to focus out her vision. It didn’t work.

“What’s the bad news?” Annabeth asked, because bad news tended to ruin good news, and she’d rather just get it out of the way.

“You’re going to be very hungover tomorrow.” Percy said, straightening up. She thought he was smiling, but considering there were two of his head floating around in front of her, it was kind of hard to tell.

“Are you laughing at me?” Annabeth asked. He was definitely smiling now.

“I would never,” Percy said, wrapping an arm around her waist, “C’mon, lets go.”

Their goodbye was not as extended or elaborate as Annabeth expected, mostly because Piper and Hazel were already half-way to being passed out. Still, there were some waves, some I-love-yous and a partially incoherent apology from Piper, though who it was aimed at was something of a mystery.

Stairs were just a bit tricky, but she managed to stumble down them without seriously injuring herself. She was sure Percy helped somehow, but she could barely tell the difference between his arms supporting her and her own movement.

“What’s the good news?” Annabeth asked, once they were safely on the sidewalk, heading in the direction of her apartment. It was probably cold, but between Percy’s body heat next to her and her own drunkenness, she could barely feel it.

“You haven’t thrown up?” Percy offered, half-heartedly. Annabeth swallowed down a gag.

“Don’t say those words again,” she warned. Percy winced.

“Right. Sorry.”

“That wasn’t even good news, that was irrelevant news,”

“I think it’s excellent news, personally.” Percy said. He was laughing at her again, probably, but she also probably deserved it. Probably. She was wrapped under his shoulder because his arm was still helping hold her up, so it was kind of hard to see his face. She focused her eyes down at the sidewalk in front of her instead, focusing on not tripping.

“You would,” Annabeth said, “You didn’t have good news, did you?”

“I was sort of hoping you would forget,” Percy admitted.

“I never forget,” Annabeth reminded him. She had an excellent memory. Especially for things that had happened only 2 minutes ago. Admittedly the rest of the night was already starting to get a little blurry.

“I’m sorry for doubting you,” he said, pressing a kiss to the top of her head.

Annabeth felt a small stab of guilt. He was teasing her, sure, but he was also being stupid nice even after she’d dragged him out of bed in the middle of the night to practically carry her intoxicated self back home.

And now she was remembering where that little wiggle of anxiety had been stemming from. He didn’t like being around drunk people. He never really said anything, because he was him and thus was probably allergic to the mere thought of even mildly killing anyone else’s fun for his own personal comfort or convenience. But she knew him well enough that he didn’t need to say anything. He’d never taken up Piper’s offer to go partying with them, even though he encouraged Annabeth to go when she’d wanted to, and he hardly ever drank himself. Even then it was only in social situations, and usually just one drink that he probably didn’t even feel.

So maybe he hadn’t flat out said he didn’t like people being wasted around him, but he had told her about Gabe; how he was a drunk, abusive asshole. It wasn’t too hard to put the pieces together.

“I’m sorry I got drunk,” Annabeth said. It was kind of a lame apology considering she was probably slurring her words a good amount, but she meant it anyways.

She felt something shift in his demeanor— if she was sober, she would know instantly what the slight change in pressure meant. As it was, she was kind of in the dark.

“Why are you sorry?” he asked. She thought he sounded surprised, but maybe she was mishearing, because it would be dumb for him to be surprised by that. At the very least, he should understand she felt bad about ruining his night.

“Because, I got messy and you had to wake up and take me home even though I could have just slept on Piper’s floor,” Annabeth said. Words were sort of flowing out of her without her completely approving them, in a jumbled rush. She didn’t like it, but she couldn’t quite remember how to stop it either.

“I don’t mind,” he said, just as she’d known he would. He meant it too, even drunk off her ass she could tell he wasn’t annoyed at her at all, even though he would be totally justified to be.

“But I could have just slept on the floor,” Annabeth repeated, though even the thought caused her to lean deeper into him.

Percy slowed his pace, almost stopping. Annabeth tried looking up at him to decipher what he was thinking, but she couldn’t really make out his face well enough to tell.

“This isn’t just about waking me up, isn’t it?” he asked.

Ugh. Why did she forget in her drunken stupor that he knew her just as well as she knew him? Obviously he was going to pick up on something deeper that was making her feel guilty.

“I just—” Annabeth started, then stopped. It was difficult to pick words precisely enough for the thoughts she was having.

“I know you don’t really like parties and stuff. Or drunk people. And I’m a drunk people right now, so I’m sorry.”

Great job, Annabeth, Annabeth thought to herself. Very delicately put. The lack of subject verb agreement, that was a nice touch. You didn’t sound completely fucked up even a little bit.

God, she hated being drunk.

“I didn’t want you to wake up alone, tomorrow,” Annabeth said, trying again, “But I forgot that me being drunk might be worse, so that's why I feel bad.”

Percy stopped walking. At first Annabeth thought it was in response to what she’d just said, but then she realized they were in front of their apartment building.

Then she realized he wasn’t making any moves to go inside, so it was about what she’d said after all. Instead he turned her around so she could see his face, keeping his arms around her waist in support.

She couldn’t quite read his expression, yet another reason why alcohol was the devil.

“I have a feeling we’re going to need to repeat this conversation in the morning when you’re sober,” he started, “But just for the record, you being drunk doesn’t make me uncomfortable at all.”

Annabeth studied his expression, searching his face for any signs of mistruth. She found none, but she also couldn’t entirely trust her senses at the moment.

“Are you just saying that?” Annabeth asked, suspiciously, “Because that’s the sort of thing you would lie about.”

She had sort of expected him to sigh in annoyance, but to her surprise he smiled instead.

“I’m not lying, I swear.”

“But you don’t like other drunk people,” Annabeth insisted. For some reason the two ideas could not coexist in her mind.

“I don’t like drunk strangers,” he corrected, “You’re not a stranger.”

“Well, duh,” Annabeth said, which made him laugh. She hadn’t meant to, but she liked hearing him laugh, so she would accept it anyways.

“But doesn’t it— I don’t know, bring up bad memories, for you?” she asked, cautiously, “I don’t wanna do that. I don’t even really like being drunk.”

He just shook his head.

“If it did, I would tell you. But it doesn’t, I swear.”

Annabeth frowned. It was probably just her stupid wine brain, but she couldn’t quite connect the dots between all the points he was making.

“Why?” she asked.

“Because,” he said, somehow still smiling, “You’re you.”

“That’s a lame answer.” Annabeth said.

“It’s true,” he said, in that stupid earnest honest voice of his, “I mean, maybe if you started throwing beer cans at my head when you got tipsy it’d be different, but you’re the opposite of aggressive when you’re drunk. You actually get really cuddly, it's kind of cute.”

Annabeth knew he was trying to comfort her, but she also knew that Gabe had done a lot worse than throw beer cans at him. She felt a surge of anger on his behalf, but more powerfully a wave of sadness looking at his upbeat expression. It was so supremely unfair that she wanted to cry, but she just hugged him instead. She was probably proving his point about being cuddly, but she didn’t even care.

“I’m so glad your mom made him into a statue,” she mumbled into his chest.

“Me too,” Percy said, resting his chin on the top of her head.

“I love you so much,” Annabeth said, because she really, really did. Like so much. An embarrassing amount, if she were capable of feeling embarrassed about anything having to do with Percy Jackson, which she was pretty sure was impossible.

“I love you too,” he said, kissing the top of her head to prove it.

“Piper said I get boyfriend clingy when I’m drunk,” Annabeth admitted. He laughed, his chest vibrating beneath her.

“She might be right about that.”

“She’s usually right about things,” Annabeth said, without thinking. Then—

“Don’t tell her I said that.”

He laughed again, but it was quieter. She felt it more than she heard it this time.

“Your secret is safe with me,” he promised.

“I’m sorry I woke you up,” Annabeth said, because she really did feel bad about that, even beyond all the other stuff, “I should have paid more attention to what I was doing.”

She felt him shrug underneath her.

“Stuff happens, it's not a big deal,” Percy said easily, “We’ll just sleep in tomorrow. Speaking of, we should probably go inside.”

As soon as he said ‘go inside’ Annabeth’s brain suddenly registered that she was exhausted. It was late, her head was swimming, and his chest had been very warm and very comfortable. She’d fallen half asleep without even realizing it.

“Inside sounds good,” Annabeth agreed, yawning.

“C’mon, I’ll carry you the rest of the way,” Percy said, finally pulling away, brushing a few stray curls out of her eyes.

Maybe if she had been sober she would have protested. As it was she was pretty happy to climb on his back and rest her head on his shoulder. He looped his arms under her legs and lifted her up easily. Gods, he was stupidly strong. She should appreciate that more.

“I love you,” she mumbled one last time into his shoulder. Whether he’d heard or responded was a mystery to her, because she was asleep before he finished climbing the stairs.

#reposting this with a preview this time bc i learned my lesson lol #it's let Annabeth get messy hours #percabeth #percabeth fic #percabeth fluff #percabeth oneshot #percabeth angst #pjo #pjo fic #pjo fanfic #pjo fanfiction #hoo #hoo fic #hoo fanfic #Annabeth chase #Percy Jackson

186 notes · View notes